AHARON SHABTAI’s curriculum vitae
Many of the poems J’Accuse were first published on the weekend literary pages of Israel’s daily paper of record, Ha’aretz—the equivalent of their being featured in the New York Times Book Review—and were met with angry letters to the editor and threats of cancelled subscriptions. Lines like the following have gotten Shabtai in trouble steadily throughout the thirty-five years of his publishing career: “You read the Haggadah/like swine …/ Passover, however,/is stronger than you are./Go outside and see:/the slaves are rising up.”
The poet’s primary responsibility, Shabtai makes clear, is—at least on the level of literature—freshness, attentiveness, and surprise. And when things fall apart, the responsible writer can’t but apply these values to the least likely and perhaps most slippery of literary subjects—politics and public affairs. “In dark times will there also be singing?” Bertolt Brecht asks. “Yes,” he answers his own question, “there will also be singing, about the dark times.”